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DCMP offers the only guidelines developed for captioning and describing educational media, used worldwide.
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DCMP offers several online courses, including many that offer RID and ACVREP credit. Courses for students are also available.
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These self-paced, online learning modules cover the topics of transition, note-taking, and learning about audio description.
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Filtering by tag: description
Information from the FCC regarding video description which is “audio-narrated descriptions of a television program’s key visual elements. These descriptions are inserted into natural pauses in the program’s dialogue. Video description makes TV programming more accessible to individuals who are blind or visually impaired.” On August 25, 2011, the FCC adopted rules to implement the video description provisions of the Twenty-First Century Communications and Video Accessibility Act of 2010 (CVAA). These rules are effective as of July 1, 2012.
IBM Research Tokyo partnered with the National Center for Accessible Media at WGBH to research ways to deliver online descriptions via text-to-speech (TTS) methods, rather than using human recordings. IBM and NCAM explored two approaches which exploit HTML5 media elements—video, audio, and track—as well as Javascript.
Comparison of description guidelines by six different countries: Spain, Germany, France, United Kingdom, Greece, and America. Though, in principal the guidelines and/or standards are very similar in nature, there are minor differences in a few of the recommendations. These differences could potentially be because of different formats of film/television programming being produced in different countries, different ways of watching films/television programs, cultural differences leading to relative levels of understanding of set-ups specific to different films/television programs, and also different ways in which audio description is made available i.e. through products specifically targeted at blind or partially sighted people or as an alternative sound track via mainstream services. Royal National Institute of Blind People, 2010.
A PowerPoint report of the European Erasmus Multilateral Lifelong Learning project's goals to: 1) Create authoritative guidelines and/or proposals for the AD profession/industry in all Europe; 2) Develop curricula for universities in Europe: both for entertainment and for instruction; 3) Train audio describers and audio describer trainers; 4) Sensitize and influence decision-makers; 5) Create useful connections with the television industry and with the service providers. By Chris Taylor, 2013.
This article looks at the context of accessibility in Spain, and after a general picture of the Spanish reality on media accessibility, it goes into describing and analyzing the standard for audio description approved in 2005 by the Spanish Ministerio de Trabajo (Ministry of Labour). By Pilar Orero, Universitat Autònoma de Barcelona, Spain.
Paper in 2004 by Bernd Benecke, Bayerischer Rundfunk, Munich, Germany. Deals mainly with two aspects of audio description: the development (history) of this mode of language transfer and the main steps in the preparation of audio description. Overviews status of television description in Germany at the time it was written.
This an archive video of the Video Description Research and Development Center webinar #2 - "Do It Yourself" Educational Description: Guidelines and Tools. The webinar occurred October 24, 2012. Topics in this webinar include: 1) An update of the activities of the VDRDC; 2) The "Dos and Don'ts" of description; 3) Live demonstrations of two free software programs which can be used to add description to media; and 4) An overview of resources for obtaining described materials for use in the classroom.
This an archive video of the Video Description Research and Development Center webinar #1 - Bringing Video Description Into The 21st Century. The webinar occurred January 24, 2012. Topics in this webinar include: (1) A teachers' guide to using video description; (2) A comprehensive overview of resources for obtaining described materials; and (3) A sneak peak at the description technologies of the future being developed at the VDRDC. Presenters included Dr. Joshua Miele, Director of the VDRDC; Jim Stovall, President of Narrative TV Network; Jason Stark, Director of the Described and Captioned Media Program; Joel Snyder, Director of the Audio Description Project at the American Council of the Blind; and Emily Bell, Multimedia Manager at CaptionMax.
Videos can be a terrific medium for driving the point home, as long as the time is taken to ensure they'll drive that point home for everyone – including those with impairments that might make audio or visual information difficult to process. Overviews captioning and description, and discusses the importance of each. By Carlin Headrick, Learning Insights, 2013.
This document aims to gather the lessons learned in different countries, and to help build capacity across the World Blind Union membership to campaign for audio description. Defines description, and provides technical information and lobbying tips. World Blind Union, 2007.
Individuals who are visually impaired and blind face challenges in accessing many types of texts including television, films, textbooks, software, and the Internet because of the rich visual nature of these media. In order to provide these individuals with access to this visual information, special assistive technology allows descriptive language to be inserted into the text to represent the visual content. This study investigates this descriptive language. A thesis written by Philip Piety, Georgetown University, in 2003.
On her blog devoted to writing tips for screenwriters and novelists, Lucy V. Hay reveals her discovery that description for the blind is an inspiration for writers. The new narration added has to be clear, simple, recognizable, and succinct. Listening to it is like attending a scriptwriting masterclass.
This general guide to the description of video, by Dicapta in 2012, proposes parameters, rules, and guidelines. The authors indicate that it is a difficult task to develop standards, given the creative and artistic nature of this activity.
This collaborative report, prepared by Blind Citizens Australia, Vision Australia, ACCAN, and Media Access Australia, aims to highlight the consumer experience of the audio description (AD) technical trial on ABC TV in order to persuade the Australian government to support a permanent AD service. Attempts to reflect the high demand for AD by consumers and outline the benefits of AD.
Report on the 2006 testing of the hypothesis of translating or adapting audio description scripts as a faster and more financially viable way to create audio described films. Adapting the audio description from a script instead of creating a description script from scratch from the already dubbed version seems a viable alternative.